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![]() > The Beginnings: 'Dau al Set' > Informalism > A Politically Committed Artist dimarts, 17 de febrer de 2004
From the 18th of February to the 9th of May 2004, the Barcelona Museum of Contemporary Art (MACBA) is hosting a retrospective exhibition of the work of Antoni Tąpies, one of the best-known contemporary Catalan artists.
The exhibition consists of over a hundred pieces, from the 1940's to his most recent work, which allow one to grasp both the painter's aesthetic development and his exceptional originality. Tąpies was born in Barcelona in 1923, and before the age of twenty he suffered an illness that forced him to rest for long periods at a time, which allowed him to read extensively and to start drawing. A little later, he became familiar with the work of the existentialist thinkers such as Jean-Paul Sartre, who were to have a decisive influence on his life and on his art, as can be seen from the allusions in his work to life, death and the Universe. At around the same time, he also became interested in the mystical work of Ramon Llull, Eastern philosophy and new scientific theories, particularly those of Albert Einstein. Since then, recognition of this painter from Barcelona has continued to grow. A great exponent of the artistic movement known as Informalism, Tąpies has received numerous honours that testify to the worth of his work, now scattered around many museums all over the world.
The Beginnings: 'Dau al Set'![]()
+ Antoni Tąpies, one of the founding members of 'Dau al Set'.
From the outset, Tąpies showed himself to be an artist that shuns conventionalism. It is not surprising that in 1948, he was one of the founding members of the avant-garde art group known as Dau al Set ('the Seven-Faced Dice'), which published a monthly journal of the same name. This publication was totally against the Spanish painting and society of the time, which had just come out of a terrible war and was struggling to live under a cruel dictatorship. As well as Tąpies, the other founding members of 'Dau al Set' were Joan Brossa, Modest Cuixart, Joan Ponē, Arnau Puig and Joan Josep Tharrats.
Informalism![]()
+ 'Composició' (1955), an Informalist painting.
In the early fifties, Tąpies came into contact with Informalism, and soon became one of its greatest exponents. This genre of painting came about after the Second World War (1939-1945) and is mostly based on the expressive value of the materials used in the work. It was at this time that the paintings of Tąpies began to incorporate a wide variety of materials, forming highly original collages in which he mingled sand, cloth, straw, pigments and so on. This resulted in works loaded with materials, with a predominance of ochre, grey and brown tones, such as 'Blanc amb taques roges' (1954) and 'Pintura nśm. XXXV' (1956).
A Politically Committed Artist'The social and political situation of my country has always had important repercussions on my work'. These forthright words of the Catalan painter are a testimony to his commitment to his country, spoken in the early seventies, when the country was still living under Franco's dictatorship. This commitment is reflected in his paintings by means of repeated depictions of the four stripes of the Catalan flag and inscriptions of a political tone above the canvas, as we can see in works such as 'L'esperit catalą' and '7 de novembre', both from 1971.
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Investiga
> Antoni Tąpies, cofundador del grup artķstic d'avantguarda Dau al Set i de la revista del mateix nom.
> Cronologia vital i artķstica d'en Tąpies.
> Obres seves.
I també...
- 'Homenatge a Picasso'.
- Diferčncies entre art abstracte i figuratiu.
- Contextualització i caracterķstiques del corrent artķstic informalista.
- Tąpies, influļt per l'obra mķstica de Ramon Llull.
- I pel corrent filosņfic existencialista.
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